chicago oldschool master k alexi with a raw, tribalistic banger in classic style.

nice price deal !!! after putting out three synthesizer-free albums, the magnetic fields are returning back to synths with a fresh approach: >most of the synthesizers on the record didnt exist when we were last using synthesizers,< he notes. the songs — none over three minutes long — were recorded in los angeles, san francisco and new york with merritts usual cast of collaborators: claudia gonson, sam davol, john woo, shirley simms, johny blood and daniel handler.
code for free digital download of this album included.

francesco grant has become an institution of the finest techno/house tracks on afu and way beyond and returns with his fourth release and three brand new tunes.
>dont scream< is a prime time piece that delivers with its cool funky rhythm bed and the cut up samples that became so much of francescos trademark.
>everybody love me< takes his style even further with vocoded vocals and >still here< rounds it up with some mental ladies voice and a fat groove! enjoy the ride ...

jesse perez is the new kid on the hot creations block and he launches straight into the fire with a double hitter of old school nostalgia and heavy hip house grooves, >jesse dont sport no jerri curl<

for the first release of 2012, old friends of lazy days, lawnchair generals make a rare appearance on the label with their new single >dont stop<. the duo made of peter christianson and carlos mendoza were featured separately on the feel ep last year. this song was written for their exclusive live performance at the decibel festival in seattle last year. this classic lcg tracks also comes with a superb dub for the late nights.
rob mello was an easy choice for the remix as we have been long time friends and fans of his. he took the track apart and gave us his unique no ears approach to the remix, a twisted deep afterhours biz. we hope you enjoy the release.
supported by: jimpster, karizma, motorcitysoul, fred everything, kruse & nuernberg, shur-i-kan, doc martin, marques wyatt, aaron ross, raoul belmans, mark farina, jask, iz & diz, blakkat, giom, art of tones …

big with: tiefschwarz, radio slave, gregor tresher, nick curly, reboot, solomun, monika kruse, karotte, d julz, audiofly, sascha dive and many more! we are happy two present a great 4 tracker. ross starts with the laxy groovy track >losing consciousness< followed up from powerfull >devil inside<. b side with two groovy tracks coming from yousef.

techno legends broom & mac with slamming prime time techno

repress 2015

the tremendous dessert island discs label is going from strength to strength. the latest release features three new late nite tuff guy tracks with a greg wilson retouch of one nite in a disco from the well received did007 thrown in for good measure! too good to miss!!

the success of >twist< released with yuksek aka peter in peter and the magician, which was heard in the playlists of some of the best djs around the world, has contributed to increase the magician reputation among djs and electro lovers…
the only thing we could hear from him until then were his magic tapes, available on soundcloud with no tracklisting so as to keep the mystery around them… there again, the concept has created so much excitement among music aficionados that the magician has already released thirteen of them!
>i dont know what to do< is a pure dance jewel enlightened by jeppes voice! as for the club mix and the remixes by fabian and plastic plates, they are definitely more electronic and punchy and will be all perfect for the club times!

white vinyl pressing, featuring remixes by tacteel and terp besides the original version.

pizza is the 6th release on dont be afraid, coming hot on the heels of mr. beatnicks synthetes ep and semteks west acyd shelter. the first track on the 12 inch, pizza, combines disco, techno and acid house elements on a broken funky base. goons is a mean little track with caper-like 303s and a bumping trumpet bassline, backed by sweet drum machine beats. dj 3000 takes the fundamentals of the original and replaces them with some of his own locally sourced detroit ingredients, including a euphoric rhodes and some rich pads, to create a peak time banger for fans of dirty bird and the like.

returning to the kitchen after an over extended jaunt in the bathroom, the sound diggers grant us with another slap happy handful of flavor with their new piece entitled >dont flap just jack<. here at flapjack we do encourage everyone to wash their hands before returning from the bathroom to the decks. with the nasty low down n dirty grooves that are all over this ep, i am not so sure the sound diggers washed up very well, or at all. as we say in the business, when you get dirt in your salad, eh, its just a lil flava.

>i dont know< was one of osunlades 1st ever releases. now stripped down for 2006 and reconstructed with new mixes. superb nu soul / deep house track that is a taster for the yoruba album forthcoming later in the year.

ultraphat house classic, super deluxe dj friendly 2 x 12 vinyl package. 2007 remastered copies, can house music be better ? i dont know, but without any doubt this one is highest quality house music. btw, written & produced by little louie vega (masters at work)... any questions?

already played by dj sneak, claude vonstroke, anthony collins, deetron, arnaud le texier, brothers vibe, m.a.n.d.y…. hello summer! the second release on arms & legs comes along with four jounty tracks. with >everybody everybody< and >my feeling< daniel steinberg brings us two powerful, pleasant primetime-tracks in his typical style on the a-site

disco classics , back on vinyl

original special old skool repress des monster acid tunes von josh wink !!! must have!!! zurück ins jahr 1993 und kräftig ablachen ...

with the worldwide success of the massive evolution album tc returns with his own imprint ‘don’t play’ ‘concrete’ could only be described as 140 set switch up with extensive support from club and radio from benga, skreem, mr jam on radio1 and 1xtra and many more.moveing in a slightly different direction ‘burning starlight’ is a drum and bass tempo 173 left of centre track with dance hall style vocals from the well respected mc dread with support from mr jam on radio 1 xtra and club djs such as netsky. mr jam “2 essential releases that deserve to be in the collection of every self respecting bass music head” “if these are don’t plays statement of intent, i feel sorry for any other labels!”

eine e-gitarre, ein bass, eine alte rhythmusmaschine, ein moog und am wichtigsten die prägnante stimme von sherry leblanc. all das zusammen kombiniert macht den minimal-pop sound von love inks aus. blackeye macht appetit auf das album.

lee jarvis for chicago jackin tracks

decks tipp track 4 ... this coloured edition with spezial coverartwork is a ltd repress... the ep proposes an interesting track-list from deep ambient to rolling housy dark groove with the single don t change (original mix) ..where the fresh vocal line leads to a magic journey on the 44 beat bringing the vibe from the underground club-movement in istanbul (tk) one of the most intersting cities in europe at the moment. this time remixed by hugo (mobilee, trapez, 2020 vision) and mussen,emerging label manager and producer from milan supported by: deepchild, hugo, dapayk, someone else, minicoolboyz, mussen...

disco classic , limited

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

us house classic, ltd stock , be fast

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

summer anthem! this is anthony collins fourth release on curle already. the surprise on this release is without a doubt the 9+ remix from roman flügel (robert johnson, playhouse, dial)

to say that matias aguayo lives in the moment would be an understatement. he thrives in the moment. one of today s most productive musicians in dance music he continues find new challenges – whether it be curating music events (most recently finding lost music and new acts from the sonoma desert of mexico for an upcoming hkw berlin series), overseeing the tremendous cómeme label imprint, and most recently joining warps favourite new york band battles as a vocalist for the lead single >ice cream<. he returns to kompakt with his first new recordings for the label since 2009s acclaimed full length >ay ay ay< – an accomplishment of its own right thanks to the fact that it was created almost entirely with samples of his voice. matias aguayo takes it back to the dance floor with what potentially could be his first obvious foray into the world of house music.

the too-cool-for-old-school house cut dont stop is the love child of the first the subs vs highbloo musical encounter, when highbloo was not part of the band yet. dont stop!

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

superb deep house from baker street with mixes from yousef & paolo mojo

the fourth release on dont be afraid >west acyd shelter< takes one of the most important jazz funk records of the 1970s as its starting point. semtek rebuilds the legendary hook from scratch over a disorienting range of acid, broken and techno accoutrements leaving a tweaked out bassline stepper. photonz bring their unique lisbon via essex style to the proceedings with an >i cant believe its not garage< take on semteks beat, proving yet again that they are a force to be reckoned with in 2011. the b-side >east acyd shelter< is a sparse analogue workout that would be at home as much in legendary and much missed kings cross hangout the key, as it would in a james bond soundtrack of the timothy dalton era.

inclusive download code

another month, another cool and unique r&b sound from the jukebox jam series! this time around, we feature 40s songstress with a really superb low-slung and slinky number. making its first appearance on 45rpm vinyl, >shrinking up fast< is bound to set pulses raising with its hot and seductive jazzy feel, mambo rhythm and wailing horns. yet another record which sounds not so much ahead of its time as occupying another realm altogether! the flip side >please dont stay away so long< is a worthy effort in its own right - a breezy jump blues side which also rotates around a loosely latin influenced rhythm. but as good as it is, >shrinking up fast< is the clear winner for us, an awesome, slow-burning scorcher which we are proud to be able to finally make available on dj friendly 45rpm - its going straight in out box and we would urge you to follow suit!

z records offshoot surround sounds with a killer disco - electro - boogie selection from choklate comes with glorious session victim mix

for his third release on dont be afraid semtek brings a rolling acid house vibe with remixes from neville watson, justin harris and isa gt. check!the original builds from trademark uk bleeps and analogue drums into a wigged out discoid groove. neville watson takes you far up into the aether with a hypnotic hymn to the night, justin harris produces a dark and driving techno dub, and isa gt refashions an early semtek track key into a bara house banger equally at home in croydon as in her native columbia.